Category Archives: Poetry

“Ex(ile)” – Poem by Trinidadian-born Poet Desiree C. Bailey

15 Sunday May 2022

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Trinidadian-American Poet Desiree C. Bailey
Photo Credit: Wilton Schereka on Poet’s Website

My Poetry Corner May 2022 features the poem “Ex(ile)” from the debut poetry collection What Noise Against the Cane by Desiree C. Bailey that won the 2020 Yale Series of Younger Poets Prize. Born in the Caribbean island-nation of Trinidad & Tobago, she was nine years old when she migrated with her family to the USA where she grew up in Queens, New York.

Bailey earned a BA from Georgetown University (Washington DC), an MFA in Fiction from Brown University (Rhode Island), and an MFA in Poetry from New York University. In Fall 2022, she will be the Writer-in-Residence at Clemson University (South Carolina).

In her interview with Corrine Collins for Air Light Magazine in September 2021, Bailey described her poetry collection What Noise Against the Cane as “a praise song to the ocean, Black people, Black women, the Caribbean, and struggles for liberation.” The first half of the collection is a long narrative poem titled “Chant for the Waters and Dirt and Blade,” written from the imagined perspective of a young, enslaved husk of girl orphaned   at the ocean’s distant edge / before ship   before humid choke of hull / before trade winds splintering [her] off into the world’s directions. With dreams of freedom, the girl joins other slaves in their fight for liberation during what became known as the Haitian Revolution (1791-1804): freedom: ruthless siren   hurl and shriek / louder   than a dream.

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“March is March” by American Poet Emily Skaja

17 Sunday Apr 2022

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American Poet Emily Skaja (Kaitlyn Stoddard Photography)
Book Cover Art: Walton Ford, Gleipnir

My Poetry Corner April 2022 features the poem “March is March” from the debut poetry collection Brute (Graywolf Press, 2019) by American poet Emily Skaja. Born and raised next to a cemetery in rural Illinois, Skaja earned an MFA in Creative Writing from Purdue University (Indiana) and a PhD in Creative Writing and Literature from the University of Cincinnati (Ohio) where she also earned a certificate in Women’s, Gender, and Sexuality Studies. She is an Assistant Professor in the MFA program at the University of Memphis, Tennessee, where she resides.

Winner of the 2018 Walt Whitman Award of the Academy of American Poets, Brute is largely autobiographical and took five years to write, beginning in 2012. The poems deal with grief, partner violence, transformation, break-ups, and voicelessness. The poet also examines her role in a situation of abuse, control, and obsession.

The book’s title is “used pejoratively to describe the abusive behavior of the men in the book,” Skaja told Ross Nervig during their 2019 conversation for The Adroit Journal, “but it is also a word the speaker uses critically against herself, in examining the way she responded to violence with violence.” She added that the book explores “the way that women are set up to be victims of patriarchal, violent behavior while at the same time using those same tactics to defend themselves.”

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“Identity” – Poem by Afro-Brazilian Poet Ryane Leão

20 Sunday Mar 2022

Posted by in Brazil, Poetry

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Afro-Brazilian Poet Ryane Leão
Photo Credit: Poet’s Facebook Page

My Poetry Corner March 2022 features the poem “Identity” (Identidade) from the 2017 debut poetry collection Everything in Her Shines and Burns: Poems of Struggle and Love (Tudo Nela Brilha e Queima: Poemas de Luta e Amor) by Afro-Brazilian poet Ryane Leão. A lesbian and English language teacher, born in 1989 in Cuiabá, capital of the Center-West State of Mato Grosso, Ryane moved to São Paulo where she studied literature at the Federal University of São Paulo. Considered one of the most representative militants of Brazilian poetry today, Ryane’s poems speak mainly about female empowerment, social inequality, and the struggle against racism.

Influenced by her poetry-loving parents, Ryane grew up with a fascination for literature and began writing as a child. But she never saw herself in the stories of Brazil’s famous poets, mostly white males. That changed when she moved to São Paulo. With exposure to poetry by black women, she discovered another type of poetry that spoke to her life experience.

Her journey to penning her own stories were strewn with shards of glass, as shared in the following autobiographical poem:

how many times my mother sat on the edge of the bed
and helped me remove the shards of glass from my feet
and said few would deserve my love
that the world would hurt me because I was born
with too much heart
that I had to stop being so good
or I would have nothing left
beyond the shards
that she pulled out
with care and patience
planting flowers
in their place
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“Springbank” – Poem by Jamaican-born Poet Shara McCallum

13 Sunday Feb 2022

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Jamaican-born poet Shara McCallum
Photo from official website

My Poetry Corner February 2022 features the poem “Springbank” from the poetry collection, No Ruined Stone, by the award-winning Caribbean American poet and writer Shara McCallum. Born in Kingston, Jamaica, in 1972, to an Afro-Jamaican father and a Venezuelan mother, she was nine years old when she migrated to Miami, Florida, with her mother and sisters. Her father, a singer and songwriter suffering from schizophrenia, stayed behind in Jamaica where he took his life not long after their departure.

McCallum graduated with a bachelor’s degree from the University of Miami. She earned her MFA from the University of Maryland and a PhD in African and Caribbean Literature from Binghamton University in New York. Her poems and essays have appeared in journals, anthologies, and textbooks throughout the USA, Latin America, Europe, and Israel. No Ruined Stone, published in the UK and USA in 2021, is the latest of her six books of poetry.

No Ruined Stone is a collection of speculative narrative poetry inspired by McCallum’s first visit to Scotland in 2015, where she unearthed historical records revealing that the country’s most celebrated poet, Robert Burns (1759-1796), had made plans to leave his homeland. Throughout the late summer and into the fall of 1786, Burns booked passage on three different vessels that sailed to Jamaica. He had accepted employment as a “bookkeeper” on a slave plantation in Jamaica owned and managed by his countryman, Charles Douglas. Was he trying to escape financial ruin as a struggling tenant farmer? Or was he fleeing responsibility for having impregnated a young woman out of wedlock? At the time, he was also working on publication of his first book of poetry which was well received, changing the course of his life.

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“The Miracle of Morning” by American National Youth Poet Laureate Amanda Gorman

16 Sunday Jan 2022

Posted by in Poetry, United States

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American National Youth Poet Laureate Amanda Gorman
Photo by Danny Williams

My Poetry Corner January 2022 features the poem “The Miracle of Morning” from the poetry collection Call Us What We Carry: Poems (Penguin Random House, 2021) by African American poet Amanda Gorman, the youngest presidential inaugural poet in U.S. history. Born in 1998 in Los Angeles, California, she has an older brother and a twin sister. They were all raised by their single mother, a sixth grade English teacher at an inner-city public school. Born prematurely, the twins were diagnosed with a speech and auditory impediment. Some words, particularly those with an “r” sound, were hard for Gorman.

In a December 2021 interview, Gorman told Clint Smith of The Atlantic that it wasn’t until she was six or seven years old that she became aware of her speech impediment. “I was in and out of speech therapy for most of my life,” she said. “And what that did for me was force me to look at language, sounds, cadence, pronunciation actually as an access point of healing and recovery, because I was doing the work of learning English time and time again.”

Gorman started writing children’s stories from about age five. Her interest in poetry began in third grade. She found her voice as a young poet through working with WriteGirl, a Los Angeles based non-profit that assists teen girls to discover the power of their voice through writing. At sixteen years old, she became the 2014 Youth Poet Laureate of Los Angeles. The following year, she published her first book of poems, The One for Whom Food is Not Enough (Urban World LA, 2015).

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“Song of the Earth” – Poem by Brazilian Poet Cora Coralina

19 Sunday Dec 2021

Posted by in Brazil, Poetry

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Brazilian Poet Cora Coralina
Photo: Association of the House of Cora Coralina

My Poetry Corner December 2021 features the poem “Song of the Earth” (O Cântico da Terra) from the 1965 debut poetry collection The Alleyways of Goiás and More Stories (Poemas dos Becos de Goiás e Estórias Mais) by one of Brazil’s great twentieth-century poets, known by her pen name, Cora Coralina (1889-1985).

Born in the small town of Goiás Velho, then the capital of Brazil’s Center-West State of Goiás, Cora Coralina (named Ana Lins dos Guimarães Peixoto) was the third of four daughters. Her father, a High Court judge, died shortly after her birth. In her poem, “My Childhood (Freudian),” she writes:

I was sad, nervous and ugly.
Yellow, with a pale face.
Limp legs, falling down carelessly.
Those who saw me like that – said:
“This girl is the living image
of the old sick father.”
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“A Report to the Academy: The Modern Caribbean” – Poem by Trinidadian Poet Raymond Ramcharitar

21 Sunday Nov 2021

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Front Cover of the Poetry Collection Modern, Age, &c by Raymond Ramcharitar [Photo of Sculpture by Winslow Craig]

My Poetry Corner November 2021 features Part 1 from the four-part, long poem “A Report to the Academy: The Modern Caribbean” from the poetry collection, Modern, Age, &c, by the Caribbean journalist, poet, and cultural critic Raymond Ramcharitar. Born in Trinidad, he studied at the University of the West Indies, St. Augustine Campus, where he earned his Bachelor of Science in Economics (1991), Masters in Literature in English (2002), and Doctorate in Cultural History (2007).

After completing his doctorate, Ramcharitar received three overseas fellowships: Post-Doctoral Fellow at the Warwick University, UK (2008); Visiting Scholar at New College, University of Toronto, Canada (2010); and Poetry Fellow at the Bread Loaf Writers’ Conference at Middlebury College, Vermont, USA (2011). He currently lives in Trinidad where he is a communications consultant for the ANSA McAL Group of Companies.

In speaking of his third poetry collection, Modern, Age, &c (Peepal Tree Press, UK, 2020), the poet said that he balanced the book among three themes: political (Modern), personal (Age), and the whimsical (&c). The tone varies from sardonic, to satiric, to lyrical.

“Modern is about the malaise: the diseases of our time: depression, anxiety, isolation—The broader themes of loss, disintegration,” the poet said. As he recently turned fifty, Age is his way to examine the shredding of the social contract. “I started to look back to find the threads that hold me together, as a parent, a man,” he said. “And try to find where everything changed: the plan for utopia, or progress, when did it become a tweet, or post on Facebook or Instagram?”

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“My Empire” by Iranian American Poet Kaveh Akbar

17 Sunday Oct 2021

Posted by in Poetry, United States

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Iranian American Poet Kaveh Akbar
Photo Credit: Poet’s Website

My Poetry Corner October 2021 features the poem “My Empire” from the poetry collection Pilgrim Bell: Poems (Graywolf Press, 2021) by Iranian American poet Kaveh Akbar. Born in Tehran to an American mother and Iranian father, Kaveh was two years old when his family migrated to the United States, first settling in Pennsylvania. When Kaveh was five years old, they moved to the Midwest, living in Wisconsin and later Indiana. Since his parents only spoke English at home, the poet speaks little Farsi, his first language.

Akbar earned his MFA at Butler University in Indiana and a PhD in creative writing from Florida State University. He currently teaches at Purdue University (Indiana) and in the low-residency MFA programs at Randolph College (Virginia) and Warren Wilson College (North Carolina). Since September 2020, he also serves as the poetry editor of the progressive magazine, The Nation.

Pilgrim Bell is Akbar’s second poetry following his recovery from alcohol addiction. In “Seven Years Sober,” he writes: Trust God but tie your camel. Trust / God. The bottle by the bed the first / few weeks. Just in case. Trust…. He acknowledges in “Cotton Candy” that his mother wept nightly for eight years / my living / curled its hands around her throat / not choking exactly but like the squeeze / of an outgrown collar…

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“That Moment an Enormous Tail” by Brazilian Poet Alice Sant’Anna

19 Sunday Sep 2021

Posted by in Brazil, Poetry

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Brazilian Poet Alice Sant’Anna

My Poetry Corner September 2021 features the poem “That Moment an Enormous Tail” (Um Enorme Rabo de Baleia) from the poetry collection Tail of the Whale (Rabo de Baleia) by Brazilian poet Alice Sant’Anna. Born in 1988 in the city of Rio de Janeiro, Alice grew up in a very artistic home: Her father was a photographer; her mother was a fashion producer. As a child, she learned to play several musical instruments. Then, at fifteen years old, her artistic future veered toward poetry. Such was the impact after she read the poetry of Brazil’s “marginal generation” poet Ana Cristina César (1952-1983).

During the 1970s the “marginal generation” poets published their books independently, earning the title “marginal.” Following the oral tradition, their poetry used a colloquial and informal style.  

Sant’Anna credits her experience of studying abroad in learning “how to be alone, in silence,” critical for her creative process. Her first trip abroad was to New Zealand where she spent a semester as a sixteen-year-old high school student. There, she began writing poetry while adapting to life in a very small town.

As a twenty-year-old undergraduate in journalism at the Pontifical Catholic University (PUC) of Rio de Janeiro, Sant’Anna published her first book of poetry. In 2009, a year before her graduation, she went to Paris for a semester, providing an impetus for working on her second book, Tail of the Whale (Rabo de Baleia).

In 2013, the year she earned her Masters’ Degree in Literature and Culture at PUC, Sant’Anna’s poetry collection was published to great acclaim, winning the APCA Poetry Prize from the São Paulo Art Critics Association. The collection was published in English in 2016 with translation by Tiffany Higgins, an award-winning American poet and translator.

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“W for Workers” – Poem by Jamaica’s Poet Laureate Olive Senior

15 Sunday Aug 2021

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Jamaica’s Poet Laureate Olive Senior 2021-2024
Photo Credit: olivesenior.com

My Poetry Corner August 2021 features the poem “W for Workers” from the 2021 poetry collection, Pandemic Poems: First Wave, by Jamaica’s third Poet Laureate Olive Senior (2021-2024). Since 1993, the award-winning poet, novelist, short story and non-fiction writer has made Toronto, Canada, her home. She returns frequently to the Caribbean which remains central to her work.

The seventh of ten children, the Poet Laureate was born in 1941 in the wild mountainous landscape in the interior of Jamaica. The child of peasant farmers, the young Olive enjoyed a better, though solitary, life as the only child in the home of a wealthy and cosmopolitan great uncle and great aunt who encouraged her love for reading and writing.

After winning a scholarship to attend the prestigious Montego Bay High School for Girls, Olive embarked on a career in journalism. At nineteen, she joined the staff of The Daily Gleaner, Jamaica’s major newspaper located in Kingston. She soon won a scholarship to study journalism at the Thomson Foundation in Cardiff, Wales. Later, while attending the Carleton University School of Journalism in Ottawa, Ontario, Canada, she began writing fiction and poetry. She returned to Jamaica where, in 1982, she joined the Institute of Jamaica as editor of the Jamaica Journal, a magazine that promotes the history and culture of the Caribbean Island nation.

In the summer of 2020, between May and September, when the Covid-19 pandemic transformed our lives, Senior began writing pandemic poems and posting them on her Twitter and Facebook pages “as a way of keeping [her]self engaged and not falling into depression.” Each of the 71 poems in her collection Pandemic Poems: First Wave is “a riff on a word or phrase trending at the period.” This pandemic lexicon has since become a part of our new normal.

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