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Monthly Archives: November 2018

“Revolutionary Suicide”: Remembering the Jonestown Massacre

18 Sunday Nov 2018

Posted by Rosaliene Bacchus in Guyana, Human Behavior, United States

≈ 44 Comments

Tags

Children of Jonestown, Jonestown/Guyana, Mass-murder-suicide, Peoples Temple Agricultural Project/Guyana, Peoples Temple Church, Reverend Jim Jones, Revolutionary Suicide, Youth Climate Activists

Aerial view of Paradise off of Clark Road – Camp Fire, Northern California
November 15, 2018
Photo Credit: San Francisco Examiner (Carolyn Cole/Los Angeles Times)

 

As California burns and super-storms ravage our southern and eastern coastal states, I’ve been thinking a lot about the Reverend Jim Jones and the People’s Temple. Today, November 18th, is the fortieth anniversary of the mass murder-suicide of 916 Americans at the People’s Temple Agricultural Project at Jonestown in the northwest forested region of Guyana.

The 276 dead American children had no choice.

Teacher with Children Singing – Jonestown – Guyana
Photo Credit: California Digital Library

 

Victim of his own megalomania and alternate reality, the Pentecostal leader coerced his followers into ingesting cyanide-laced, grape-flavored Flavor Aid.

“Revolutionary suicide,” the Reverend Jim Jones called his final, defiant act. Continue reading →

We want our country back

11 Sunday Nov 2018

Posted by Rosaliene Bacchus in Poetry by Rosaliene Bacchus, United States

≈ 51 Comments

Tags

Charlottesville/Virginia, Displaced peoples, Divisiveness in America, Fear and hate in America, Honduran migrants, Make America Great Again, Pittsburgh Synagogue Shooting, We reap what we sow, White nationalists

White NATIONALISTS in Charlottesville – Virginia – August 2017
Photo Credit: Vox (Samuel Corum/Anadolu Agency)

We want our country back
rile white nationalists
goose-stepping through the streets
of Americaville
waving tiki torches
emboldened and blinded
by their chosen fuhrer
ruling in the White House.

Homo sapiens. Wise man. Where is the wisdom, our superior intelligence, when we know not that we know not? How soon we forget that we live on the ancestral lands of conquered Native Americans: over 500 tribes occupying these lands for more than 15,000 years. How soon we forget that the good life we have enjoyed for generations has come with the sacrifice of non-white bodies to the gods of greed, plunder, and dispossession. Continue reading →

“Humanity” by Afro-Brazilian Writer & Poet Carolina Maria de Jesus

04 Sunday Nov 2018

Posted by Rosaliene Bacchus in Brazil, Poetry

≈ 72 Comments

Tags

Afro-Brazilian writer & poet, Carolina Maria de Jesus, Child of the Dark by Carolina Maria de Jesus, Favela de Canindé/São Paulo, Minas Gerais/Brazil, Poem “Humanity” by Carolina Maria de Jesus, Poema “Humanidade” por Carolina Maria de Jesus, Quarto de Despejo (Trash Room) by Carolina Maria de Jesus, São Paulo/Brazil

Carolina Maria de Jesus - Favela of Caninde - Sao Paulo - Before publication of first book

Carolina Maria de Jesus with cart – Favela of Canindé – São Paulo (circa 1958)
Photo Credit: Jornal Estado de Minas (Collection Audálio Dantas)

 

My Poetry Corner November 2018 features the poem “Humanity” (Humanidade) by Afro-Brazilian writer and poet, Carolina Maria de Jesus (1914-1977), born in a rural community in Minas Gerais, Southeast Brazil.

An illegitimate child of a sharecropping family, Carolina was treated as an outcast. After just two years in primary school, when she learned to read and write, she developed a love for reading. She dreamed of becoming a writer.

“The book…fascinates me,” de Jesus writes in My Strange Diary (Meu Estranho Diário). “I was raised in the world. Without maternal guidance. But books guided my thinking. Avoiding the abysses that we encounter in life. Blessed the time I spent reading. I came to the conclusion that it’s the poor who must read. Because the book, it’s the compass that we have to guide man into the future…”

In 1930, de Jesus moved with her family to the State of São Paulo, where she worked as a washerwoman and, later, as a housemaid. After her mother’s death in 1937, she moved to the state capital, an industrial megalopolis. In 1948, she became pregnant for a Portuguese sailor. After he abandoned her, she moved to the favela (slum) of Canindé. Two other children followed, for different fathers.

De Jesus eked out a living: working as a housemaid and scavenging for paper and scrap metal around Canindé. An independent woman, she refused to marry because of the domestic violence she witnessed around her. Writing on blank pages of used notebooks she found in trash cans, she began recording her day-to-day existence as one of society’s “discarded” and marginalized people.

In her first entry, she writes: “July 15, 1955. The birthday of my daughter Vera Eunice [born 1953]. I wanted to buy a pair of shoes for her, but the price of food keeps us from realizing our desires. Actually we are slaves to the cost of living…”

Carolina Maria de Jesus - Manuscript 15 July 1955

Carolina Maria de Jesus – Manuscript of Journal – July 15, 1955
Photo Credit: Templo Cultural Delfos

 

Her stories, poems, and journal entries describe her struggle to rise above poverty and the ever-present specter of hunger. She calls attention to the social problems they face—prostitution, adultery, incest, alcoholism, physical violence, and foul language—and the consequences in their lives. She writes of the racial injustice and discrimination heaped on the poor and blacks in the favelas. She notes the empty promises made by politicians.

In an untitled poem from her journal, de Jesus requests:

Don’t say that I was trash,
that I lived on the margin of life.
Say that I was looking for work,
but I was always slighted.
Tell the Brazilian people
that my dream was to be a writer,
but I did not have money
to pay for a publisher.

A breakthrough came in 1958 when Carolina de Jesus met the young journalist, Audálio Dantas, during his visit to the favela for an assignment. On learning about her journal, he recognized its uniqueness and sociological importance. Through Dantas’ influence, edited excerpts were published in a magazine. Their popularity among readers led to the publication of her journal in 1960 as a book titled, Quarto de Despejo (Trash Room).

Carolina Maria de Jesus, Audálio Dantas e Ruth de Souza na Favela do Canindé. São Paulo, 1961

From left to right: Carolina Maria de Jesus, Journalist Audálio Dantas, and Actress Ruth de Souza – Favela of Canindé – São Paulo – 1961
Photo Credit: Collection Audálio Dantas

 

When asked about the idea for the name of her book, de Jesus told the interviewer: “In 1948, when they began to demolish one-story houses to construct apartment buildings, we, the poor, that lived in collective housing units, were trashed and we began living under bridges. That’s why I call the favela the trash room for a city. We, the poor, are old junk.”

Trash Room became an instant bestseller, selling 10,000 copies within the first three days and 90,000 more copies over the next six months. The English version, Child of the Dark, followed in 1962. The book soon drew international attention. But, to the Brazilian literary elite, it lacked linguistic quality. Three more books published in the 1960s received little attention.

Carolina Maria de Jesus durante noite de autógrafos do lançamento de seu livro Quarto de Despejo, São Paulo, em 1960.

Carolina Maria de Jesus signing her book Quarto de Despejo – São Paulo – 1960
Photo Credit: Templo Cultural Delfos

 

In her poem, “Many fled on seeing me,” published posthumously (1996) in Personal Anthology, a poetry collection, de Jesus laments:

It was paper I collected
To pay for my living
And in the trash I found books to read
How many things I wanted to do
I was hindered by prejudice
When I die I want to be born again
In a country where blacks predominate

With her book royalties, Carolina de Jesus bought a house in a middle-class neighborhood. Admiration turned to envy. Some accused her of being ambitious and uncharitable.

The featured poem, “Humanity,” published posthumously in My Strange Diary, is composed of four stanzas with a rhyme scheme aabccb. De Jesus expresses her disillusions with humankind: the perversity, wickedness, greed, tyrannical…egoists, and hypocrisy.

After knowing humanity
its perversities
its ambitions
I have been getting older
and losing
the illusions

[…]

When I die…
I don’t want to be born again
It’s horrible, to endure humanity
that has a noble appearance
that conceals
its worst qualities

Unable to adjust to life among the middle-class, de Jesus moved to the countryside where she lived in poverty until the end of her life. Her passing in 1977 went virtually unnoticed. She left behind more than 5,000 handwritten pages that contained seven novels, over 60 texts of chronicles, fables, autobiography and stories, over 100 poems, and four plays.

To read the featured poem in its original Portuguese and learn more about the work of Carolina Maria de Jesus, go to my Poetry Corner November 2018.

NOTE: All translations from Portuguese to English done by Rosaliene Bacchus.

 

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