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Tag Archives: Mabaruma/Guyana

The Writer’s Life: Killing Your Darlings

14 Sunday Nov 2021

Posted by Rosaliene Bacchus in The Writer's Life

≈ 72 Comments

Tags

Forest Spirits of Guyana’ Indigenous Peoples, Inedited scene from The Twisted Circle: A Novel by Rosaliene Bacchus, Killing Your Darlings, Mabaruma/Guyana, Magical Realism, Writing Craft

Photo by Iamngakan eka on Pexels.com

When I finished my first complete draft of The Twisted Circle: A Novel in 2016, the total word count of 92,602 had exceeded the desired 80,000 words that literary agents and publishers require for newbie authors. Subsequent revisions in tightening sentences and scenes did not achieve the magical number. In 2017, I took the undesirable and difficult step of removing a beloved minor character. This is known as ‘killing your darlings.’

Over the years, the phrase ‘to kill your darlings’ has been attributed to many famous writers: Oscar Wilde, G.K. Chesterton, and William Faulkner. But many literary scholars credit British writer and University of Cambridge Professor Sir Arthur Quiller-Couch. In his 1916 book On the Art of Writing, he recommended writers to “murder your darlings.”

After spending over a month researching details of her background, I killed off Sylvia Flores since her character played a negligible role in my story’s main plot line. It hurt. This fictional character was my way of memorializing a Filipino woman whose tragic, premature death in Guyana’s northwest rainforest region has stayed with me after all these years.

The real-life woman was the wife of the Filipino resident doctor in charge of the Mabaruma Hospital at the time I lived and worked in the region. Owing to the isolation of the region and lack of proper medical facilities, Guyanese doctors then and now avoid the post like a death trap for their medical career.

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The Writer’s Life: Book Cover Art & Design

11 Sunday Jul 2021

Posted by Rosaliene Bacchus in The Writer's Life

≈ 63 Comments

Tags

Amerindian peoples of Guyana, Aruka River/Guyana, Book Cover Art & Design, Former Catholic Nun, Guyana’s northwest rain forest region, High School Art Teacher, Mabaruma/Guyana, Patriarchal Catholic Church, Predatory Catholic Priests, Symbolism of the Circle, Symbolism of the Raven, The Twisted Circle: A Novel by Rosaliene Bacchus

Front Cover of The Twisted Circle: A Novel by Rosaliene Bacchus
Cover Art & Design by Rosaliene Bacchus

When I left the convent in December 1977, my career as an art and geography high school teacher smashed against the boulders defending Guyana’s coastline. Broken and lost, I was set adrift—without purpose or direction for my return to secular life. Inspiration for my creative artistic expression vanished with the prevailing winds. Never to return…until now.

On completion of my second novel, The Twisted Circle, I had contacted two artists I knew about designing my front cover. Both declined to take on the project. Book cover design was not part of their expertise. In 2019, I considered contracting the services of a book cover designer on Fivver.com. Then something peculiar happened during the early months of the COVID-19 lockdown. Amid the doldrums of anxiety and uncertainty, inspiration for taking on the project myself surfaced like a bubble from the ocean floor. Our subconscious mind works in mysterious ways.

Inspired by real events, The Twisted Circle tells the story of two religious women, Guyanese Sister Barbara Lovell and American Sister Frances Adler, torn apart by obsession and entitlement. Within the confines of the community’s Santa Cruz convent, isolated in Guyana’s northwest rain forest region, they are ensnared in a twisted circle of deceit. The symbiotic relationship between the nuns and predatory priests is brought into the light. The Forest Spirits guard dark secrets. Raven knows.

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On the Making of My Convent Novel

14 Sunday May 2017

Posted by Rosaliene Bacchus in Guyana, The Writer's Life

≈ 48 Comments

Tags

Catholic nuns and priests, Clerical sex abuse, Creating complex fictional characters, Dr. Walter Rodney, Mabaruma/Guyana, Religious life, roman catholic church

When my friend and poet, Angela Consolo Mankiewicz, told me that my second novel had to be about my life in the convent, I balked at the idea. To embark on a journey back to a time and place that caused me grief would require some meaningful purpose. The 2012 documentary film, Mea Maxima Culpa: Silence in the House of God, exploring the first known public protest against clerical sex abuse in the US, gave me the impetus I needed.

My convent novel, inspired by real events that took place in Guyana in the 1970s, had to be relevant to the present. To bash the nuns and priests would be unjust. Most religious men and women that I lived and worked with had devoted their lives to their God and strove to live according to His teachings. I have long forgiven those who had betrayed or abandoned me when I needed them most. Continue reading →

On the Road to Santa Cruz

26 Sunday Jan 2014

Posted by Rosaliene Bacchus in Guyana, The Writer's Life

≈ 13 Comments

Tags

Barima-Waini Region/Guyana, Betrayal, Guyana novel in progress, Mabaruma/Guyana, Research process in novel writing, Tropical rainforest, Walter Rodney, Working People’s Alliance (WPA)

Road through jungle - Barima-Waini Region - GuyanaRoad through the jungle – Barima-Waini Region – Guyana
Photo Credit: It’s Always Sunny in Guyana Blogspot

 

I have started work on my second novel. It’s a journey back to my final year as a high school teacher at the Mabaruma Secondary School in Guyana’s northwest region. Whenever I think of that year, I relive the days I walked alone with God along the red dirt road through the jungle to and from school. At the time, I lived in Santa Cruz (fictitious name for the indigenous Amerindian settlement) located on a hilltop some five miles distant from Mabaruma, the administrative center of what is now called the Barima-Waini Region.

On the Road to Santa Cruz, my working title, is a story about jealousy and betrayal. Attractive, twenty-six-year-old Sister Barbara Lovell, the only child of an Afro-Guyanese father and Indo-Guyanese mother, is a teacher of the religious community, Sisters of Christ the Redeemer. When conflict erupts with Sister Frances Stang, a German-American missionary who also teaches at the Mabaruma high school, Sister Barbara’s life is turned inside-out. Her adversary is a powerful force. The surrounding forest offers no refuge.

The story is set during the period 1979 to 1980, covering events leading up to the assassination of Walter Rodney on 13 June 1980. Betrayed by a man in whom he trusted. Wrenched from us at 38 years old. The Guyana-born scholar and historian, a frontline leader of the political group, the Working People’s Alliance (WPA), had become a threat to the dictatorship government.

Following his return to Guyana in 1974, Walter Rodney succeeded in bringing together racially divided blacks and Indians at his public meetings.

“For the first time they were listening and looking at each other as brothers, comrades, that there was some common bond,” writes Abbyssinian Carto, a WPA activist in the struggle and civil rebellion during 1979 to 1980. “We come from different religious and different races and stuff like that, but we really are not different.” (Walter A. Rodney: A Promise of Revolution, edited by Clairmont Chung, 2012.)

The research process in novel writing is vital not only for historical accuracy, but also for developing complex, authentic characters that readers will love and hate. Influenced by Dr. Rodney’s teachings about self-emancipation, Sister Barbara’s conflict with Sister Frances takes on other undertones.

Betrayal can be a devastating experience, as it was for Sister Barbara that year in Santa Cruz. Sometimes, we may never recover from its effect on our lives. But, I believe it’s a valuable learning experience. People we think we know well are not always what they appear to be. To make matters worse, the people with power over our lives do not always have our interests at heart, though they claim to be.

Walter Rodney was prepared to risk his life to free his people from ignorance and fear. Did he die in vain?

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