Tags
Amerindian peoples of Guyana, Aruka River/Guyana, Book Cover Art & Design, Former Catholic Nun, Guyana’s northwest rain forest region, High School Art Teacher, Mabaruma/Guyana, Patriarchal Catholic Church, Predatory Catholic Priests, Symbolism of the Circle, Symbolism of the Raven, The Twisted Circle: A Novel by Rosaliene Bacchus

Cover Art & Design by Rosaliene Bacchus
When I left the convent in December 1977, my career as an art and geography high school teacher smashed against the boulders defending Guyana’s coastline. Broken and lost, I was set adrift—without purpose or direction for my return to secular life. Inspiration for my creative artistic expression vanished with the prevailing winds. Never to return…until now.
On completion of my second novel, The Twisted Circle, I had contacted two artists I knew about designing my front cover. Both declined to take on the project. Book cover design was not part of their expertise. In 2019, I considered contracting the services of a book cover designer on Fivver.com. Then something peculiar happened during the early months of the COVID-19 lockdown. Amid the doldrums of anxiety and uncertainty, inspiration for taking on the project myself surfaced like a bubble from the ocean floor. Our subconscious mind works in mysterious ways.
Inspired by real events, The Twisted Circle tells the story of two religious women, Guyanese Sister Barbara Lovell and American Sister Frances Adler, torn apart by obsession and entitlement. Within the confines of the community’s Santa Cruz convent, isolated in Guyana’s northwest rain forest region, they are ensnared in a twisted circle of deceit. The symbiotic relationship between the nuns and predatory priests is brought into the light. The Forest Spirits guard dark secrets. Raven knows.
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