Author Archives: Rosaliene Bacchus

Reflections on Entitlement

04 Sunday Sep 2022

Posted by in Anthropogenic Climate Disruption, Human Behavior

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New York Skyline with Brooklyn Bridge – USA
Photo Credit: Kai Pilger at Pexels

This is the second in the series of my reflections on the “shifts of being” proposed by Jem Bendell in Deep Adaptation: Navigating the Realities of Climate Chaos (UK/USA 2021).

#1: Reflections on the Nature of Being

The word “entitlement” did not enter my vocabulary until I arrived here in the United States. In Guyana, we used the word “spoilt/spoiled” to describe other kids and youth our age who believed that they deserved the biggest and the best of everything, and that the rules of good conduct did not apply to them. In Brazil, the Portuguese equivalent of entitlement translates as “to have the right of or as deserving of.” In Brazilian vernacular, the spoiled or entitled rich kid earns the label of “daddy’s son or daughter.” Entitlement takes on additional manifestations among white, rich, and male humans in the advanced rich economies: the right to the pursuit of happiness; the right not to feel emotional pain and suffering; the right to have one’s feelings heard and validated; and the right to have one’s basic needs met (Jem Bendell, pp. 125-127).

It would be great if we could all have our basic needs met and have a voice in issues that affect and govern our lives. Instead, the entitled few among us take a far greater share of Earth’s natural resources and offer little return for our collective human production. They also hold the power to silence our voices when we cry out against the extreme inequality and injustice. While the entitled rich and powerful get away with major crimes—including our current threat of omnicide—minority and poor populations face draconian punishment, even death, for simple infractions of the law.

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Thought for Today: The Human Comedy: Remember You Must Die

28 Sunday Aug 2022

Posted by in Human Behavior

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Chinese Artist Ai Weiwei with glass sculpture La Commedia Umana: Memento Mori / The Human Comedy: Remember You Must Die – Venice – Italy – August 26, 2022
Photo Credit: AP Photo/Luca Bruno

We see the environment completely disappearing, being destroyed by humans’ effort … and that will create a much bigger disaster or famine. Or war, there’s a possible political struggle between China and the West as China asserts greater control over Hong Kong and threatens control over Taiwan…. We have to rethink about humans and legitimacy in the environment. Do we really deserve this planet, or are we just being so short-sighted and racist? And very, very just self-demanding, selfishness.

~ Chinese artist Ai Weiwei on his latest sculpture La Commedia Umana: Memento Mori / The Human Comedy: Remember You Must Die, Venice, Italy, August 26, 2022.

La Commedia Umana / The Human Comedy by Ai Weiwei (Detail)
Photo Credit: Lisson Gallery – Venice – Italy

One of the largest works ever created in Murano glass, the hanging sculpture is composed of over 2,000 pieces of blown and cast glass, weighing around four tons with a width of 6.4 meters (21 feet) and towering overhead at 8.4 meters (27.6 feet) high. The series of hand-crafted black glass bones and isolated organs first became a striking monument to the lives lost over the course of the COVID-19 pandemic. Now, with the war between Russia and Ukraine, the monument also encompasses those who die from all kinds of human conflict. If we want to leave behind more than the bones of our broken bodies, we must work together to address the dangers that threaten our survival as a species.     

Learn more at Berengo Studio.

AI WEIWEI, born in 1957 in Beijing, China, is a global citizen, artist, and thinker. He attended Beijing Film Academy and later, on moving to New York (1983-1993), continued his studies at the Parsons School of Design. His art works have been exhibited worldwide. Among his numerous awards and honors, he holds the lifetime achievement award from the Chinese Contemporary Art Awards (2008) and was made Honorary Academician at the Royal Academy of Arts, London (2011). He now lives and works in Portugal.

Creating a drought-resistant garden in The City of Angels

21 Sunday Aug 2022

Posted by in Nature and the Environment, United States

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Rosaliene’s Succulent Garden – Los Angeles – Southern California – August 21, 2022

Eighty-one days have passed since emergency drought restrictions went into effect in Southern California. In an August 16th Press Release, Adel Hagekhalil, General Manager of the Metropolitan Water District of Southern California (MWD) that supplies our neighborhood with water, announced that discussions are in progress regarding the effort of the Colorado Basin States to develop “an aggressive but realistic plan to reduce demands” on the Colorado River by 2 to 4 million acre-feet. The MWD imports water from the Colorado River and Northern California to supplement local supplies.

“As these discussions continue, we urgently call on everyone who relies on Colorado River water, including communities across Southern California, to prepare for reduced supplies from this source, permanently,” Adel Hagekhalil said. “This is not simply a drought that will end, allowing reservoir levels to recover on their own – this is a drying of the Colorado River Basin. We are going to have to live with less. Working together, we know we can meet the challenge.” (Emphasis mine.)

So far, we have received no new directives from the Los Angeles Department of Water & Power (LADWP) regarding any further reduction in water allocation of about 80 gallons per person per day. Meanwhile, I have found ways of saving and reusing domestic usage for watering my small vegetable garden. Caring for my succulent and other ornamental plants remains a challenge.

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“He Called for Momma” – Poem by Barbados Poet Laureate Esther Phillips

14 Sunday Aug 2022

Posted by in Poetry

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Barbados Poet Laureate Esther Phillips
Photo Credit: Peepal Tree Press (UK)


My Poetry Corner August 2022 features the poem “He Called for Momma” from the poetry collection Witness in Stone by Esther Phillips published by Peepal Tree Press (UK, 2021). Born in 1950 in the Caribbean island-nation of Barbados, she won a James Michener fellowship of the University of Miami where, in 1999, she earned an MFA degree in Creative Writing. Her poetry collection/thesis won the Alfred Boas Poetry Prize of the Academy of American Poets and went on to win the Frank Collymore Literary Endowment Award in 2001. In 2018, she was appointed as the country’s first Poet Laureate.

The poems in Witness in Stone [Footnote 1], Phillips’ fourth full-length poetry collection, are quiet and personal, often nostalgic in tone when honoring people who had played important roles during her childhood years growing up in the countryside. Her generosity of spirit shines through even in the poems that speak of the harsh reality of the legacy of slavery, colonialism, and postcolonialism that still looms large in the lives of Caribbean peoples.

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Reflections on the Nature of Being

07 Sunday Aug 2022

Posted by in Anthropogenic Climate Disruption

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NASA James Webb Space Telescope – Deep Field Image SMACS 0723 – July 2022
Galaxy cluster as it appeared 4.6 billion years ago
Photo Credit: Webb Telescope (NASA)

This is the first in the series of my reflections on the “shifts of being” proposed by Jem Bendell in Deep Adaptation: Navigating the Realities of Climate Chaos (UK/USA 2021).

On July 12, I watched in wonder at the first full-color images of Deep Field Image SMACS 0723 recorded by the NASA James Webb space telescope. I am nothing amidst the thousands of galaxies in just a tiny patch of our vast Universe. Among the estimated two trillion galaxies in the observable Universe, our own Milky Way Galaxy extends for about 100,000 light years across. Such vastness boggles my mind, considering that one light year covers 5.8 trillion miles (9.5 trillion kilometers). Located in the Orion Arm, our Sun is just one of 100 to 400 billion stars caught in its gravitational spiral.

Planet Earth, my home, is a mere rock revolving around a life-giving star. The more our space telescopes reveal the secrets of our Universe, the greater the mystery of the dark matter and dark energy that fill the emptiness of space. We humans are nothing but stardust. I am humbled. 

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The Writer’s Life: Creating New Narratives in a Post-Truth World

24 Sunday Jul 2022

Posted by in The Writer's Life

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Heat Wave Hits Europe: Trafalgar Square, London, July 19, 2022
Photo Credit: ABC News (Dan Kitwood/Getty Images)

For this week’s Sunday post, I had planned to share my reflections on “shifts in being” needed for deep adaptation to our planetary climate and ecological existential crises unraveling in real time. While regions of our planet face heat waves, wildfires, droughts, floods, and other Acts of God, our political leaders fumble, grumble, and stumble to implement the solutions proposed and agreed upon at the United Nations Climate Change Conferences held since its establishment in 1992.

I could not find the right framework to put my reflections into words. By the end of my workday on Friday evening, I had scrapped four unsuccessful attempts. After clearing my mind with a touching father-daughter movie, Don’t Make Me Go (Prime Video, 2022), I returned to my writing task shortly after 10:00 p.m. At 2:24 a.m. of a new day, with frustration taking hold, I scrapped another four drafts and went to bed.

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“My President Asks Me about Redemption” by Yemeni American Poet Threa Almontaser

17 Sunday Jul 2022

Posted by in Poetry, United States

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Yemeni American Poet Threa Almontaser (Photo by Yasmin Ali)
Poet’s Official Website

My Poetry Corner July 2022 features the poem “My President Asks Me about Redemption” from the debut poetry collection The Wild Fox of Yemen (Graywolf Press, 2021) by Yemeni American poet Threa Almontaser. Born and raised in New York City, Almontaser earned an MFA in Creative Writing and a TESOL certification from North Carolina State University. She is an editor for Tinderbox Poetry Journal and a juror for both the Pen America Writing for Justice Fellowship and the Scholastic Arts and Writing Awards. A translator and English teacher to immigrants and refugees, she lives in Raleigh, North Carolina.  

Winner of the 2021 Walt Whitman Award of the Academy of American Poets, The Wild Fox of Yemen is Almontaser’s attempt to showcase Yemeni experiences, underrepresented in the Arab American literary world. In an interview with Dana Isokawa for the Poets & Writers Magazine in December 2021, the poet said: “I couldn’t find contemporary work written by an Adeni American of this generation. It makes me sad to know a culture so rich and ancient is hidden in this way.”

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Thought for Today: Cooperation of Women Crucial to System of Patriarchy

10 Sunday Jul 2022

Posted by in Women Issues

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Front Cover: The Creation of Patriarchy by Gerda Lerner

The system of patriarchy can function only with the cooperation of women. This cooperation is secured by a variety of means: gender indoctrination; educational deprivation; the denial of women of knowledge of their history; the dividing of women, one from the other, by defining “respectability” and “deviance” according to women’s sexual activities; by restraints and outright coercion; by discrimination in access to economic resources and political power; and by awarding class privileges to conforming women.

Excerpt from the last chapter (p. 217) of The Creation of Patriarchy by Gerda Lerner, Oxford University Press, New York, USA, 1986.

GERDA LERNER (1920-2013), an Austrian American historian, was the single most influential figure in the development of women’s and gender history since the 1960s. In 1980, she won a professorship at the University of Wisconsin where she built America’s first PhD program in women’s history. With the conviction that patriarchy was the first and ultimate source of all oppression, she undertook a massive research project in the 1980s that she published in two volumes: The Creation of Patriarchy (1986) and The Creation of Feminist Consciousness (1993). She served as President of the Organization of American Historians from 1981 to 1982.

Independence Day 2022: Millions of Women Lose Bodily Autonomy

07 Thursday Jul 2022

Posted by in United States, Women Issues

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Pro-Choice Abortion is Health Care Poster
The Nation (Photo by Olivier Douliery/AFP via Getty Images

Due to a problem with my WordPress Editor, thankfully now resolved by our Tech Team, I was unable to publish the following post on July 3rd.

I am heartbroken. I could not hold back the tears on Friday, June 24, on hearing news about the overturn of Roe v. Wade. With one blow, the U.S. Supreme Court has demolished decades of women’s struggle to gain control over our bodies and lives. Regardless of our stance on abortion, this is a severe blow for all women of childbearing age in America, especially low-income and minority women. In the Dobbs, State Health Officer of the Mississippi Department of Health v. Jackson Women’s Health Organization, decided on June 24, 2022, dissenting Justices Breyer, Sotomayor, and Kagan (p. 159) noted:

The majority [members of the US Supreme Court] would allow States to ban abor­tion from conception onward because it does not think forced childbirth at all implicates a woman’s rights to equal­ity and freedom. Today’s Court, that is, does not think there is anything of constitutional significance attached to a woman’s control of her body and the path of her life.

In the twenty-first century, in the world’s most powerful and democratic nation, The Court finds that the right to abortion is not deeply rooted in the Nation’s history and tradition, so declares the majority on page 2 of their June twenty-fourth decision. Our Founding Fathers must be turning in their graves. For sure, they did not intend for the Constitution to remain rooted in eighteenth century norms and traditions. They knew that conditions change over time and specified the process for amending the Constitution, when needed.

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“Risk Poem” by Brazilian Poet Maria Rezende

19 Sunday Jun 2022

Posted by in Poetry

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Brazilian Poet Maria Rezende
Photo Credit: Camilo Lobo on Poet’s Website

My Poetry Corner June 2022 features the Risk Poem (Poema de Risco) from the 2003 debut poetry collection Feminine Substantive (Substantivo Feminino) by Brazilian feminist poet Maria Rezende. Born in 1978 in Rio de Janeiro, she is a poet, performer, cinema and TV editor, and wedding celebrant. During her twenty years of literary life, she has published four collections of poetry.

Growing up in a home where her parents were avid readers, she began reading at an early age. On her thirteenth birthday, her parents gifted her an anthology of poetry by Vinicius de Moraes. While the anthology opened the world of poetry for her, the work of the great poets left her believing that her own verses could add nothing of value.

Six years later, Maria’s lack of confidence in her own voice changed when she attended spoken poetry classes conducted by poet and actress Elisa Lucinda. In learning to recite poems by the renowned poets in the Portuguese language, she freed her voice and began writing poetry. In her 2016 interview with Fabiane Pereira, published in Helosia Tolipan, Rezende said that writing and speaking out loud are inseparable processes for her. “When I write a poem, I immediately read it aloud to feel the rhythm, change words because of this, add or delete verses,” she told him.

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