My Poetry Corner February 2020 features the poem “Certainty” (Certo) from the poetry collection Glass Bird (Pássaro de Vidro) by Carlos Machado, a Brazilian poet and journalist. Born in 1951 in Muritiba, Bahia, Northeast Brazil, Machado earned his bachelor’s degree in mechanical engineering at the Federal University of Bahia. He studied journalism at the Faculty of Cásper Libero in São Paulo, where he lives since 1980. He is the creator and editor of the fortnightly bulletin, poesia.net, dedicated mainly to the promotion of contemporary Brazilian poets.

Machado’s debut poetry collection, Glass Bird (Pássaro de Vidro), published in São Paulo in 2006, was well received by literary critics. From the first verse of his poem “Anatomies,” from the same collection, I glean that the glass bird reveals both faces of the human character: on one side, our obscure dreams and aspirations; on the other side, the things with which we surround ourselves.

anatomy of things

to strip bare
the glass bird
and see on its side
hidden from view
the other side
of its image 

In his poem, “Things” (As Coisas), from his collection Blunt Scissors (Tesoura Cega, 2015), Machado looks at the things we accumulate to define who we are as individuals within society. Things have no say in our lives, the poet observes. They don’t have desires or power. Regardless of the value we bestow on them, they are all equal – all indifferent to humanity’s fate.

Things don’t have guilt.
They are only witnesses
of our comedies. 

Things don’t embrace causes.
It is useless to accuse them
of any inclination,
loyalty or felony. Continue reading →