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Category Archives: Poetry

“Calling All Grand Mothers” – Poem by Alice Walker

04 Sunday Sep 2016

Posted by Rosaliene Bacchus in Poetry

≈ 13 Comments

Tags

African American poet, “Calling All Grand Mothers” by Alice Walker, Elder women as leaders, Grandmothers

Hard-Times-Require-Furious-Dancing-Alice-Walker-Front Cover

Hard Times Require Furious Dancing by Alice Walker
Photo Credit: New World Library

 

My Poetry Corner September 2016 features the poem “Calling All Grand Mothers” from the poetry collection, Hard Times Require Furious Dancing, by Alice Walker, an African American poet, writer, and activist.

Renowned for her Pulitzer Prize winning 1982 novel, The Color Purple, Alice Walker started her literary writing career as a poet at the age of seven or eight in the racially segregated southeastern state of Georgia. Her first poetry collection (1968) drew from her experiences in the Civil Rights Movement in the 1960s.

The title of Walker’s poetry collection caught my attention. She notes in the Preface: “I share losses, health concerns, and other challenges common to the human condition, especially in these times of war, poverty, environmental devastation, and greed that are quite beyond the most creative imagination… I have learned to dance… for maintaining balance.”

We have hardened towards violence at home and endless wars overseas. We have hardened towards the plight of refugees fleeing our bombs. We have hardened towards the destruction of our ecosystems and extinction of thousands of other species.

Walker reminds us that we are One Earth / One People / One Love.

In “Watching You Hold Your Hatred,” Walker observes:

There is no / graceful / way / to / carry / hatred.
While / hidden / it is / everywhere.

Walker dedicates “Loving Humans” to Aung San Suu Kyi, the then Burmese opposition activist under house arrest:

Loving humans / makes us / want / to invite / ourselves to tea / with rancid / dictators

~ Dictators who may be scheming how to poison, stone, or waterboard us to death.

Although I’m not a grandmother and have never known my grandmothers, the poem that most resonated with me was “Calling All Grand Mothers.” Fortunate to share time and space with the young kids in the apartment complex where I live, I consider myself as possessing the Grand Mother / spirit / of respect for / life / & / protection of / the young…

The poet rallies all grandmothers across our planet to rise and lead:

We have to live / differently / or we / will die / in the same / old ways…

To lead humanity / to health, happiness / & sanity…

The life of / our species / depends / on it.

In an interview with The Atlantic in March 2012, Walker talked about the need for elder women to be in more leadership positions. She noted that the voice of the grandmother has been silenced deliberately. “Clearly older women and especially older women who have led an active life or elder women who successfully maneuver through their own family life have so much to teach us about sharing, patience, and wisdom… Until women can lift their voices, take their rightful place, I don’t think we’re going to shift very much.”

To read the complete featured poem and learn more about Alice Walker and her work, go to my Poetry Corner September 2016.

 

 

“Sonnet of the Friend” by Brazilian Poet Vinicius de Moraes

07 Sunday Aug 2016

Posted by Rosaliene Bacchus in Brazil, Poetry

≈ 15 Comments

Tags

Bossa Nova, Brazilian Poet Vinicius de Moraes, Friendship poems, Garota de Ipanema, Love poems, Rio de Janeiro/Brazil

Garota de Ipanema Restaurant - Ipanema Beach - Rio de Janeiro - Brazil

Garota de Ipanema Restaurant – Ipanema Beach – Rio de Janeiro – Brazil
Photo Credit: The Real Rio de Janeiro Blog

 

My Poetry Corner August 2016, featuring the poem “Soneto do Amigo” (Sonnet of the Friend) by Brazilian poet Vinicius de Moraes (1913-1980), is dedicated to a dear friend who is facing a challenging period.

Born in the city of Rio de Janeiro, then the capital of Brazil until 1960, Vinicius de Moraes is the poet of love and passion. At twenty years, he published his first book of poetry. Two years later, his second collection won Brazil’s National Poetry Award. A diplomat during the period 1946 to 1969, he served in Los Angeles, Paris, and Montevideo. He married nine times and had five children.

Love is a memory
that time doesn’t kill,
the beloved song
happy and absurd…

[“A você, com amor” (To you, with love) by Vinicius de Moraes]

In the 1960s, Vinicius de Moraes contributed his talents as a lyricist and musician to the emergence of the bossa nova which incorporated elements of Brazilian samba and African American jazz. These musical collaborations gave birth to numerous classical Brazilian songs – the most famous being “Garota de Ipanema” (Girl from Ipanema) with Tom Jobim. Continue reading →

“Mother in the Morning” – Poem by Caribbean Poet Danielle Boodoo-Fortuné

03 Sunday Jul 2016

Posted by Rosaliene Bacchus in Poetry

≈ 17 Comments

Tags

Caribbean Poet, Mother as Sacred Feminine, Trinidad Poet Danielle Boodoo-Fortuné, Woman’s role in the world

Gardener of Small Joys - Painting by Danielle Boodoo-Fortune

“Gardener of Small Joys” – Painting by Danielle Boodoo-Fortuné
Source: Wings & Fire

My Poetry Corner July 2016 features the poem “Mother in the Morning” by Caribbean poet and artist, Danielle Boodoo-Fortuné, who lives in the twin island republic of Trinidad & Tobago. Raised by her two grandmothers, her maternal grandmother of East Indian descent and African-Chinese paternal grandmother, Boodoo-Fortuné’s creative work reflects their influence during her formative years.

In her poetry, Boodoo-Fortuné depicts the woman, the sacred feminine, as a hero in her own right regardless of her marital status. This shines through in her featured poem.

In the first stanza, the mother escapes from her morning chores for a moment of solitude.

Mother sips tea in her garden on mornings,
abandoning the kitchen that echoes with breakfast,
lunch kits, laces untied, and the dripping faucet…

The woman’s role as mother does not bind her to the home and caring for her children. She is also a woman who has an inner, separate self, grounded in Mother Earth. The “dripping faucet” suggests that there is no man in her life.

She sits on a cracked footstool in silence
as the heat from the teacup rises,
whispers warm, comforting secrets
only she can understand.

Not only is her life energy sapped daily like the “dripping faucet,” but her family’s future is also at risk of collapsing like the “cracked footstool.” Yet, she does not fall apart. Her inner strength helps her to face another new day.

The second stanza reveals the mother’s relationship with the world and its inherent dangers for a woman.

There are sharp things in the ground
and her hands are soft
but she never wears gloves…

She doesn’t shield herself from being hurt. In doing so, she would also lose the richness that life offers through human relationships.

She is not afraid of the damp, dark earth
with its shards of buried glass and crawling creatures.
She has planted hope,
seen it grown tall.

In her connection with the creative forces of Mother Earth, the mother knows the power of love and hope for the future that she carries deep within her womb.

In the third stanza, the mother becomes a new type of woman born of her pains and struggles as well as those of former generations of women.

When my mother’s hands are in the dew-damp earth
and she is fragile in the morning light,
sharp things are buried in her, …

Though a woman may appear fragile, she has grown strong through her daily struggles to rise above her subservient role in a violent and patriarchal world.

and I realize how the fluorescent kitchen light dims her,
hides the secret flower she is growing
that only blooms when she does.

Until the woman gains equal status with her male counterpart, her gift to the world remains diminished and suffocated. Without her voice in policy-making at all levels of society across our world, there can be no end to the violence she endures daily, the growing chaos, and endless wars.

To learn more about Danielle Boodoo-Fortuné and her work, go to my Poetry Corner July 2016.

“Imagine the Angels of Bread” – Poem by Martín Espada

02 Thursday Jun 2016

Posted by Rosaliene Bacchus in Poetry

≈ 13 Comments

Tags

American Latino Poet, American poet Martín Espada, “Imagine the Angels of Bread” by Martín Espada, Social justice

The Bread of Life

My Poetry Corner June 2016 features the poem “Imagine the Angels of Bread” from the poetry collection, Alabanza: New & Selected Poems, 1982-2002, by Martín Espada, an American poet, essayist, translator, editor, and attorney.

After studying history at the University of Wisconsin-Madison, Espada earned his law degree from Northeastern University. For many years, he was a tenant lawyer and legal advocate. Today, he teaches poetry and English at the University of Massachusetts, Amherst. He has dedicated much of his career to the pursuit of social justice, including fighting for Latino rights and reclaiming the historical record. Through his poetry, he speaks for the socially, economically, and racially marginalized individuals who have no voice. Continue reading →

“Eden Hades” by Brazilian Poet Olga Savary

08 Sunday May 2016

Posted by Rosaliene Bacchus in Brazil, Poetry

≈ 15 Comments

Tags

Belém/Pará/Brazil, Brazilian Poet Olga Savary, Eden Hades by Olga Savary, Human Nature

House of Eleven Windows - Historic Center - Belem - State of Para - Brazil

“House of Eleven Windows” – Historic Center – 18th Century Architecture
Former residence of a sugar plantation owner
Belém – State of Pará – Brazil
Photo Credit: Brazil Ministry of Tourism

 

My Poetry Corner May 2016 features the poem “Eden Hades” by Brazilian poet Olga Savary. Born in May 1933 in Belém, capital of the State of Pará in North Brazil, she was the only child of a Russian father and a Brazilian mother. After her parents separated in 1942, she moved with her mother to Rio de Janeiro.

With the publication of twelve books of her poetry, more than fifty translations of renowned foreign poets, and anthologies of North and Northeast Brazilian poets, Savary has an impressive body of literary work.

“Eden Hades” is the final poem in Savary’s collection of the same name, published in 1994. Like the Biblical Garden of Eden, her Eden is a garden providing three essential ingredients for life: water, sunlight, and fruit.

Water gardens satisfy our thirst
sunshine swollen in veins
hanging like mango

Our human nature sets us up for failure. With our needs fulfilled, we feel deserving and in control of our destiny. Then, forgetful of the reason for our existence and the natural laws governing our lives, we unleash insecurity and chaos.

and I was like the owner of a ship
arrogant, deserving. Just like
an open vowel, I opened doors for the sand
in sudden loss of memory.
Continue reading →

“The Marvelous Women” – Poem by Syrian-American Poet Mohja Kahf

01 Tuesday Mar 2016

Posted by Rosaliene Bacchus in Poetry

≈ 13 Comments

Tags

American Muslim women, Female relationships, Islamic feminism, Poet Mohja Kahf, Syrian-American Poet

Queen Scheherazade - Persian Queen of the 1001 Nights

Legendary Persian Queen Scheherazade
Storyteller of One Thousand and One Nights
Photo Credit: Wikipedia/Painting by Sophie Anderson

My Poetry Corner March 2016 features the poem “The Marvelous Women” from the poetry collection, E-mails from Scheherazad, by Syrian-American poet and author Mohja Kahf. Born in Damascus, Syria, Kahf was four years old when she migrated with her parents to Utah in 1971. After obtaining their university degrees, her parents moved with her to Indiana. When she was in tenth grade, they relocated to New Jersey where she later obtained her doctorate in comparative literature at Rutgers University. Following her marriage, Kahf settled in Arkansas. An associate professor at the University of Arkansas, she teaches comparative literature and Middle Eastern Studies.

The opening stanza of “The Marvelous Women” caught my attention.

All women speak two languages:
the language of men
and the language of silent suffering.
Some women speak a third,
the language of queens.
They are marvelous
and they are my friends.

I know well the language of men and the language of silent suffering. What was this language of queens? Perhaps the answer lies in the title of Kahf’s poetry collection. Scheherazade is the legendary Persian queen and storyteller of One Thousand and One Nights. Continue reading →

“The Pedagogy of Steel” by Brazilian Poet Pedro Tierra

31 Sunday Jan 2016

Posted by Rosaliene Bacchus in Brazil, Poetry

≈ 23 Comments

Tags

“A Pedagogia dos Aços” por Pedro Tierra, Brazil’s Landless Rural Workers Movement (MST), Brazilian Poet Pedro Tierra, Landless rural workers, Social injustice, Tocantins/Brazil, Workers struggle

Memorial of Massacre of Eldorado dos Carajas - 17 April 1996

Memorial of Massacre of Eldorado dos Carajás – Pará – Brazil
Photo Credit: Globo (Glauco Araújo)
Learn more about the Landless Rural Workers Movement (MST)

 

My Poetry Corner February 2016 features the poem “The Pedagogy of Steel” (A Pedagogia dos Aços) by Brazilian poet Pedro Tierra, pen name of Hamilton Pereira da Silva, a politician and Secretary of Culture in the Federal District.

Born in 1948 in Porto Nacional (Tocantins), Pedro Tierra abandoned his studies to join the resistance movement to overthrow the military dictatorship (1964-1985). In 1972, he was arrested and tortured for his subversive activities. During the five years he spent in prison, he lost several of his companions.

To survive and maintain his sanity, he began writing poetry. Adapting a Spanish pen name deterred exposure. He smuggled his poems to friends outside the prison, keeping them informed of life in captivity. Continue reading →

“History Shelves” – Poem by Caribbean-American Poet Sassy Ross

03 Sunday Jan 2016

Posted by Rosaliene Bacchus in Poetry

≈ 8 Comments

Tags

Caribbean-American Poet Sassy Ross, Domestic violence, drug addiction, Father and daughter relationship, Guyana rum culture

Father-and-Daughter-Silhouette

Father and Daughter
Photo Credit: Parent Cue

My Poetry Corner January 2016 features the poem “History Shelves” by Caribbean-American poet Sassy Ross. Born in St. Lucia, at the age of ten, she moved to the USA where she lives in New York City. From a sample of fifteen of her poems, recently published in Coming Up Hot: Eight New Poets from the Caribbean by Peekash Press, this poem explores the poet’s troubled relationship with her father. Using the bookcase filled with “books dense as stone tablets / on a pharaoh’s tomb,” in their family room, Ross recalls those early years of their history together.

The poet’s memory of her father is enmeshed with the drug culture in the Caribbean in the 1980s. In her poem “The Rottweiler,” she and her mother go in search of her father the drug addict. Late at night, their Rottweiler alerts them when her father returns home like “a thief who had his own set of keys.” Continue reading →

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