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Tag Archives: Poem “The Punt Trench” by Ken Puddicombe

“The Punt Trench” – Poem by Guyanese-Canadian Author Ken Puddicombe

16 Sunday Aug 2020

Posted by Rosaliene Bacchus in Guyana, Poetry

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Guyanese-Canadian Author Ken Puddicombe, Immigrant nostalgia for the old country, Poem “The Punt Trench” by Ken Puddicombe, Poetry Collection Unfathomable And Other Poems by Ken Puddicombe (Canada 2020)

Punts to be loaded with cut sugar cane – Sugar Estate in Guyana

My Poetry Corner August 2020 features the poem “The Punt Trench” from the first poetry collection, Unfathomable And Other Poems (2020), by Guyanese-Canadian author Ken Puddicombe. Since retiring from his accounting work, Puddicombe has been pursuing his love of writing. To date, he has published two novels and a short story collection.

His poetry collection is filled with nostalgia of his boyhood days in Guyana. As an immigrant living in Canada since 1971, he writes in “Nostalgic”:

Immigrants.
As they grow older, the yearning
For a return to the old country increases.
Memories plague them, of a childhood in a familiar spot.
Any little incident will send their senses reeling and take
them back in time and place.

The punt trench is a recurring memory in Puddicombe’s poems. For readers unfamiliar with Guyana’s coastal lowlands of sugar cane fields crisscrossed by canals or trenches, a legacy of Dutch colonizers (1648-1814), a punt or cane-punt is a flat-bottomed iron barge for transporting harvested canes along the system of canals or punt trenches from field to factory. About 20 feet long, 8 feet wide, and 3 or 4 feet deep, the punt is drawn by a mule (in the early days) or tractor, attached by a long chain, moving along the punt-trench earth dam or unsurfaced road. The punt trench also serves as a drainage canal during low tides and periods of flooding, controlled by kokers or sluices.

Seawall with Koker or Sluice – Guyana
 

Puddicombe’s memories of the punt trench are somber and haunting. The title poem, “Unfathomable,” the longest narrative poem with seventeen stanzas, recounts the tale of the unfathomable death of his playful and daring friend—crushed between two punts moving along in a convoy on their way to the sugar factory.

The punts in the mule-train linked
With short lengths of chain hooked
Into metal clasps welded at the front
And rear of each craft. Six mules up front
Kept the convoy moving, each animal
Bound to a punt by a length of chain.

Lincoln was clinging to the connecting
Chain between two punts in the middle
Of the convoy, hanging on for a ride,
When the distance narrowed swiftly
Between the punts.

“Drowning” describes the time the author/poet almost lost his life in the cocoa-brown waters of the punt trench. Though he could not swim like the older boys, he plunged into the deep / Murky, swirling pit of the Punt Trench, made murkier still when his feet stirred up the mud and silt at the bottom of the trench.

On his first return visit to Guyana in 1987 after a sixteen-year absence, Puddicombe questions whether one could ever really go back to a time and place long gone. In his poem, “Middle Road,” the street where he had once lived, he finds The bridge over the Punt Trench where / I fell into the water now collapsed, the Trench / Filled in with debris.

In the featured poem, “The Punt Trench,” he reflects on the changes over time in four stanzas, each beginning with a different theme: Memory, Despair, Change, and Hope. His Memory of the punt trench as Fast moving torrential / Waves flashing through / The Koker to the raging Atlantic is no more. Instead, he feels only despair.  

Despair.
The Punt Trench is a dumping
Ground filled with debris and
Castoffs. Empty shell of a car.
Rusting frame of a bicycle. Bags of
Garbage piled in mounds. A dog’s bloated
Carcass. Tall paragrass and wild eddo bush
Reaching to the sky.

The punt trench, once a haunting memory of youthful joy and dread, is now a symbol of the decay of a neighborhood and of a nation; of promises not yet realized. It is not the change promised by the founding leaders of the independent nation.

Change.
From the Koker in Public Road
All the way to the Backdam
The Punt Trench is now Independence
Boulevard. Every time the breeze zips
Across from the north-east,
It reeks and fills my
Nostrils. Repulsive
Odours.

Only birdsong brings the poet Hope that Life goes on!

As the author and poet acknowledges in “You Can Never Go Back,” the final poem in the collection, the places of his idyllic youth have changed or no longer exist. People are no longer the same. Yet…some among us grasp a dream of returning to a time we consider our days of glory. Life goes on, for better or for worse, with or without us.

To read the complete featured poem, “The Punt Trench,” and learn more about the work of Ken Puddicombe, go to my Poetry Corner August 2020.

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