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Poem “My President Asks Me about Redemption” by Threa Almontaser, The Wild Fox of Yemen: Poems by Yemeni American Poet Threa Almontaser, Truce in Yemen War, Yemeni culture and literature

Poet’s Official Website
My Poetry Corner July 2022 features the poem “My President Asks Me about Redemption” from the debut poetry collection The Wild Fox of Yemen (Graywolf Press, 2021) by Yemeni American poet Threa Almontaser. Born and raised in New York City, Almontaser earned an MFA in Creative Writing and a TESOL certification from North Carolina State University. She is an editor for Tinderbox Poetry Journal and a juror for both the Pen America Writing for Justice Fellowship and the Scholastic Arts and Writing Awards. A translator and English teacher to immigrants and refugees, she lives in Raleigh, North Carolina.
Winner of the 2021 Walt Whitman Award of the Academy of American Poets, The Wild Fox of Yemen is Almontaser’s attempt to showcase Yemeni experiences, underrepresented in the Arab American literary world. In an interview with Dana Isokawa for the Poets & Writers Magazine in December 2021, the poet said: “I couldn’t find contemporary work written by an Adeni American of this generation. It makes me sad to know a culture so rich and ancient is hidden in this way.”
In “Guide to Gardening Your Roots,” the poem opens with a reference to Yemen’s history of colonial trauma: The British called us El Bab, the doorway. We are the entrance, our Red Sea the saltiest mother of waters. She is algae-thick, turning her copper as they die… The lines soon shift to the Yemini celebration of life and what has been lost through the civil war.
Hayat in Arabic is to respect the self, which is to respect my forest, my mountain, my wells… I carry it inside me wherever I go, it is who I am. […] What does hayati mean if my world is a desert, desolate, nothing but an empty blazing? / If life is a rose-hued phantom circling the sand, what is the Yemeni? // The country snicked my father’s heart. The hole gushes, Because there are no more green fields and citrus trees. Now it’s nothing and I’m from nowhere.
The fox as a trickster figure appears in different guises within the collection. In “Heritage Emissary” the poet speaks of fears at school following her return from a visit to Yemen. Classmates tilt / at my returned self like I grew horns, can shoot bombs // out my ass… She lies to her parents about her D grade in Algebra and suspension for fighting in school.
At dinner, Baba tells a story of his childhood in Yemen. // About catching a wild fox with his cousin—Arabic / the medium through which his body can return home. // I drown him out. […] So when I hear a line about a lost, / sly animal, I am struck mute. Think he means me.
On September 11, 2001, Threa was 8 to 9 years old when the Twin Towers fell in New York City. The increased suspicion, surveillance, detentions, and deportation of Arab and Muslim immigrants in the aftermath impacted her life. Truth is, she reveals in “Hunting Girliness,” I quit being cautious in third grade / when the towers fell &, later wore / the city’s hatred as hijab.
In “Hidden Bombs in My Coochie,” she shares her fears: when I step outside / violence becomes a rising / of my neck hairs running / through a murky two-lane / out of breath so I don’t end up / like bambi’s mama shot dead / in my tracks.
“Home Security After 9/11” presents a close-up view of unwarranted home invasions carried out by law enforcement, terrorizing Muslim and Arab households and communities. The following excerpts are from verses one and three:
At the break of moon, a front door Herculesed to pine dust, children dreaming of [ ]. Forced from sleep, Dogs shepherd us into a nightened cave where a mother is crying, Let me grab a scarf, just a scarf. Bleary-brained in its meteor glow, static shouts belling the block, I believe we are being abducted by [ ]. I ask the low white light, Where will all the Muslims go? Blue men bustle me into their van, everything a slow lucent swing, lashed stiff in this effigy. An old blister bursts. Blood sieges the street in a crucible of war. It pummels the god-prince. It pleads for [ ]. […] My father gets a home-security system—darklarge pupils always watching. Just in case, he says. We speak in [ ], afraid they bugged the rooms, imaging a device that hunts our [ ]. My parents turn down the music, lock the kids up, place trackers in every car. I fall asleep with my ears: growling K9s, laughter in the kitchen, click of a [ ].
The featured poem “My President Asks Me about Redemption,” is a found poem, reworked by the poet, that draws on the language from The Prophet by Khalil Jubran—well-known by his westernized name Kahlil Gibran. The poem addresses what became America’s never-ending War of Terror in the Middle East and its effects back home in America. The following excerpts are verses one, three, and six:
Then a president said, Speak to us of Redemption. And the poet answered saying: Absolve by mopping your bitter poison off the streets. Watch it flow purple out our living rooms. For to be redeemed is to girdle the people’s agony. And to not fasten it around your America, now empty and dark. […] For redemption exists in healing yourself. Thus your people. Let me be clear. You plucked us like lizards out a crevice for dinner. Left a man begging by the saguaro, eating sand, crying, I’m hungry, I’m hungry. Where are his children who learned to never call the cops or they’ll point the wrong finger? Who watch the moon’s tilting across the border? […] And I say, redemption is a golden glade above your head. In its light, you see the people for what they could have been—a friend, a cousin, a warm greeting through peaceful streets that said, Brother, join me for a minute on the stony porch with the old tabby, a tray of tea.
The closing lines of the poem speaks to the resilience of the Arab people:
We are still here, we will always be here, we, the dirt under the nails of your country, crusted red / from digging. // God rests in the distant fields, waiting.
According to the United Nations news report dated June 14, 2022, a two-month nationwide truce between conflicting forces in Yemen, brokered on April 2, has been extended by two months. “The “unprecedented” truce has so far led to a reduction in fighting and other positive developments, but action is needed on its full implementation and to address rising humanitarian needs and insecurity.” The United States provides arms and technical assistance to the Saudi Arabian-led coalition fighting in the country.
To read the complete featured poem, “My President Asks Me about Redemption,” and learn more about the work of the Yemeni American poet Threa Almontaser, go to my Poetry Corner July 2022.
It’s very difficult to know how to feel about Muslim terrorism. Obviously, being horribly negative to every Muslim you see is not the answer, but after so many Looney Tunes attacks on priests, Jews, women and children in Western Europe, it would be nice to see more Muslim clergy on TV condemn such acts.
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John, I wish that public condemnation would be enough. Demonization of “the other”–whether Muslim, Jew, or Christian; Black, Mexican, Arab, or Asian–has plagued our world for centuries. Until we humans can change our way of being and doing, we will continue to kill each other, indiscriminately.
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Rosaliene, you are too right. There are many of us who work to change this narrative, while a seemingly equal number oppose any changes, fearful that the lies they have heard will come true.
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It’s terrible how it’s only just coming out how Muslim Americans were treated after 9/11. It seems like she found a lot of healing through her poetry
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Claire, Almontaser’s poem “Home Security After 9/11” was also an eye-opener for me. While I have focused my post on her trauma as a Muslim in America, her collection speaks far more about the richness of Yemeni culture.
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The war in Yemen has been devastating. The country has been torn apart. I hadn’t known about the truce. The situation there gets very little attention in mainstream media.
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Neil, I only learned about the truce when I went online for an update on Yemen for this post. Russia’s war on Ukraine has overshadowed the ongoing devastation in Yemen, as well as Afghanistan under the Taliban government.
Here’s the latest on Afghanistan from the UN Security Council: https://www.securitycouncilreport.org/monthly-forecast/2022-06/afghanistan-17.php
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A great post celebrating a poet and bringing attention to the conflict in Yemen. Thank you for introducing me to a poet I’d never heard of before, Rosaliene!
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You’re welcome, Wynne. When I learned of Almontaser’s debut collection in the Poets & Writers Magazine, I thought it would be an excellent opportunity to highlight the ongoing civil war in Yemen. Besides, her collection is worthy of the Walt Whitman Award. I love the way she turns English nouns into verbs, such as “Herculesed,” and incorporates Arab words into her poetry, without losing its meaning.
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The aftermath of 9/11 is something any traumatized nation would have done, however, it didn’t continue because the Americans realized they were losing direction.
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Thanks for sharing your thoughts, AWV.
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I love that this post and poet brought up so much cultural and ethnic pain. Until it’s aired and understood and empathized with, change is difficult. Her poetry is powerful and moving. Thanks so much for the introduction to Threa and her work.
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Diana, I’m so glad that you’ve enjoyed my introduction to Threa’s poetry 🙂
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I did. Thank you.
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Thank you for bringing this amazing poet to my attention. I am not familiar with Yemeni writers. Must expand my horizons.
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My pleasure, Eliana 🙂 I’ve found the Poets & Writers Magazine an excellent source for learning about diverse poetic voices here in America.
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Your usual wise analysis, Rosaliene. I was first struck by the open, fresh-faced portrait of this poet who nails and has overcome the experience of ‘the other’
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Thank you, Rosaliene. So many fronts, affronts, and hands raised simultaneously asking for recognition and justice now. It seems to me that the forces of darkness are abetted by those who plead “Me first!” We can only ask for patience if humanity is to come together, no matter that many don’t trust anyone will remember them.
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Dr. Stein, the mostly silent suffering of people across America and worldwide grows daily. Many die waiting patiently for help.
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I do not doubt it, Rosaliene. As I see it, the problem of fixing things is that with so many hands up simultaneously, how can a unified political party be created, able to address all the concerns quickly enough to satisfy a majority at the ballot box?
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Dr. Stein, the key word is “unified.”
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Beautiful, moving, inspiring.
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So glad that you like Almontaser’s work 🙂
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Agreed.
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Thank you for bringing Threa Almontaser and her work to us. I’m glad she is writing about her experience with courage and eloquence. You bring me an awareness of how little I know about Yemen.
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My pleasure, JoAnna 🙂 I also know little to nothing about Yemen, except what I’ve read about the devastation of the war on women and children.
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Such a delicate subject, such an important subject, one that deserves to be in the spotlight but never will be. Life after 9/11 was (is) full of pain for many. On my quest to find unbiased news, preferably world news I came across a news website https://www.aljazeera.com/middle-east/. While first skeptic, I quickly learned they had gotten many awards and now I check it once or twice a week. Learning more about the countries, we here in America normally don’t talk or write about, like Yemen, is important.
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Thanks for adding your comments, Bridget. What the American Muslims faced after 9/11 is, indeed a delicate subject. Now, it’s our Asian communities that are under assault for the Covid-19 pandemic that originated in Wuhan, China. I used to watch the news reports from Al Jazeera America, available through my Cable TV program, until they ceased operations in the USA.
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I can’t stomach TV news anymore. I can only read it online these days.
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I listen/watch the BBC world news while I cook and have my lunch.
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Hi Rosaliene – thank you for introducing Threa Almontaser and her poetry. I don’t know much about Yemen and its culture and conflicts. Like others have noted, it’s important to expand our knowledge.
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Barbara, thanks for dropping by and sharing your thoughts 🙂 It’s been an amazing journey for me to get to know the diverse minority communities through their/our poets.
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As an American, If I lament our treatment of “the other”, many tell me if I don’t like America I should move. There is our problem.
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Don, we are truly in turbulent waters! My white American friend once told me the same thing when I criticized my adopted country’s double standards. As a writer and person who cares deeply about my collective American family, I am struggling with ways to address the growing divisiveness that’s ripping us apart as a nation.
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I taught 7th graders in 2001. I remember one of my students, a Muslim boy, coming to school the day after the attacks and wearing a pin of the American flag. He was obviously scared.
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Your student had every reason to be afraid, Crystal. Thanks for sharing.
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A fascinating post! Thanks for introducing me to Threa and her poetry, Rosaliene.
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My pleasure, Bette! Thanks for dropping by 🙂
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My pleasure… Have a great week, Rosaliene!
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Thank you for introducing me to Threa Almontaser. I like how she used the Kahlil Jubran poem format for her My President poem.
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You’re welcome, Rebecca 🙂 The format caught my attention.
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Yes, I like the prophetic, wisdom of sages aspect to it.
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Me, too.
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