When my friend and poet, Angela Consolo Mankiewicz, told me that my second novel had to be about my life in the convent, I balked at the idea. To embark on a journey back to a time and place that caused me grief would require some meaningful purpose. The 2012 documentary film, Mea Maxima Culpa: Silence in the House of God, exploring the first known public protest against clerical sex abuse in the US, gave me the impetus I needed.
My convent novel, inspired by real events that took place in Guyana in the 1970s, had to be relevant to the present. To bash the nuns and priests would be unjust. Most religious men and women that I lived and worked with had devoted their lives to their God and strove to live according to His teachings. I have long forgiven those who had betrayed or abandoned me when I needed them most. Continue reading